# pitch class set list

Prime Forms and Vectors of Pitch-Class Sets, pp. That’s the effect in Example 1, in two disconnected passages from Claude Debussy’s La cathédrale engloutie. In pitch class analysis, these are all equivalent -- movement by a half step. [7], Two Algorithms for Computing the Prime Form, https://en.wikipedia.org/w/index.php?title=List_of_pitch-class_sets&oldid=983242863, Creative Commons Attribution-ShareAlike License, This page was last edited on 13 October 2020, at 03:04. Every pitch that can be called "an F", say, is collected together into the pitch class that we just call "F". The most compressed way to write a given collection of pitch classes. Find the largest ordered pitch-class interval between adjacent pitch classes. For example, 11's complement mod 12 is 1. For example, set 4-16, (0,1,5,7) is listed to the left of set 8-16, (0,1,2,3,5,7,8,9). "T" and "E" are conventionally used in sets to notate 10 and 11, respectively, as single characters. For a historical point of view on such tables, see Schuijer 2008. Inversions are marked "B" (sets not marked "A" or "B" are symmetrical). Note that both sets should be in normal order. Open Music Theory by Brian Moseley and Megan Lavengood is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License, except where otherwise noted. A branch of music that is concerned about the pitches and pitch classes, which can be either ordered or unordered, and can also be related to operations in music like transposition, inversion, and complementation is called as a musical set theory. Following are a mathematical and a visual method for determining normal order. A set and its complement share many similar properties (see below for a discussion of Pitch Class Set complements). There are two slightly different methods of obtaining a normal form. Category 3: embellishing tones involving static notes, Identifying the phrase model in harmonic analysis, Substituting the leading-tone chord in place of V(7), Using the leading-tone chord as a half-diminished-seventh chord, Writing plagal motion after an authentic cadence, Writing plagal motion at a phrase beginning, Secondary V and V7 as altered diatonic chords, Connection to the lament-bass progression, Ger+6 in major keys ($\downarrow\hat{3}$ vs. $\uparrow\hat{2}$ – me vs. ri), Deriving a CT°7 chord from multiple neighbor tones, More Networks of Neo-Riemannian Transformations, Applying Chord-Scales to Progressions within a Key, Using the clock face to transpose and invert, Important considerations with collections, The Emergence and Evolution of the Twelve-tone Technique, For the ‘attack-sustain’ (‘resonance’) effect, Recognizing and identifying applied chords, Applied V and V7 as altered diatonic chords, Creative Commons Attribution-ShareAlike 4.0 International License. The most common label for a set class is like a list of intervals. Two sets related by transposition or inversion are said to belong to the same transpositional/inversional set class (inversion being written TnI or In). This results in two different normal form sets … Rewrite the collection beginning with the pitch class to the right of the largest interval and write your answer in square brackets. This is a calculator which can be used to generate normal form, prime form, interval vector, and Forte number metadata for every applicable pitch class set. Ordering the notes of a chord so that it is entirely stacked in thirds. Example 2. The complement of each integer x mod 12 is the number y that is the difference between x and 12. Because of this, music theorists often consider set classes basic objects of musical interest. If you don’t like the processes described above, this video clearly explains how to use the clock face to quickly find normal order. 378-381. The concept of pitch, then, does not imply . In Example 2, the first set [2, 4, 7] is inverted by I8. But where a "pitch class" is a collection of pitches that are all in a sense "the same", a "pitch class set" is a collection of several different pitch classes, and the differences between them will be important. Two transpositionally related sets are said to belong to the same transpositional set class (Tn). 1.3 Pitch Class Sets • A "Pitch Class Set" is a list of pitch class numbers: [0, 4, 7, 10] (note the square brackets) • These are also called "PC Sets". [3][4], Elliott Carter had earlier (1960–67) produced a numbered listing of pitch class sets, or "chords", as Carter referred to them, for his own use. Pitch Class Set Improvisation Étude Courses. Transpose it so that the first pitch class is 0. C4 is a pitch, and it is not the same pitch as C3. Normal order has a lot in common with the concept of root position. A pitch class set merely tells you how the frequencies of the notes will combine with each other within that particular chord (i.e. For a list of ordered collections, see: list of tone rows and series. The opening motive [B, D, E] or [11, 2, 4] is transposed four semitones higher in m. 18, representing the cathedral’s slow ascent above the water. ), Writing Half Cadences (using I and V only). Normal order is the most compressed way to write a given collection of pitch classes, in ascending order. So, in pitch class terms, (1) - (5) are all simply the set 0369.

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